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                     Considerimg 
                      that Eddie Hardin had a hand in writing The Butterfly Ball, 
                      it's easy to approach the 1991 Wind In The Willows live 
                      show as being merely a belated sequel. However, the concept 
                      actually predates the 'Ball' by quite a few years. 
                    Eddie 
                      had been kicking it around since 1967, and even recorded 
                      demos in the early 70s (the one surviving example, featuring 
                      Ian Paice, is on the Purple Records CD of the studio album). 
                      The album only began to take shape after 1979, with Eddie 
                      calling in friends such as John Entwhistle and Steve Hackett 
                      to help out. It was eventually released in 1985 (Eddie prefers 
                      the term 'escaped') to no great effect. When given the chance 
                      to perform it live for German TV in June 1991 he took the 
                      opportunity with both hands. Many guests from the album, 
                      plus the likes of Jon Lord, Don Airey and Graham Bonnet 
                      were assembled, and although 'arrangements and rehearsals 
                      were a nightmare', the result was a stunningly good show 
                      which has proved ideally suited to the DVD medium. 
                    The 
                      packaging is minimal, which doesn't augur well, and neither 
                      do the ropey 1991 TV titles, but matters improve when the 
                      concert kicks in, with crystal clear picture and sound quality. 
                      The band contains no less than three keyboard players; Jon 
                      Lord on the Hammond, Don Airey on synths and Eddie Hardin 
                      on piano. There are two drummers; Pete York looks extremely 
                      relaxed as per normal, while Zak Starkey looks and plays 
                      like he really means it.  
                    The 
                      opening Main Theme is a dramatic instrumental elevated 
                      by the huge, warm embrace of the sound, with Ian Gillan 
                      Band veteran Ray Fenwick's needle sharp guitar work soaring 
                      above it all. Seated amongst a shrubbery that would even 
                      satisfy The Knights who say 'Ni', Jon Lord also emerges 
                      with a gorgeous organ solo. A bit low in the mix, but still 
                      one of many enjoyable moments. 
                     
                      Throughout the show Jon's presence is largely confined to 
                      adding an atmospheric layer of Hammond to the music, though 
                      he does get to stretch his fingers occasionaly for some 
                      excellent solos. Beside him, Don Airey provides the dominant 
                      sound on stage, with some great synth work. In the instrumental 
                      Fairgound Fantasy, both take turns working rock, 
                      classical and carnival music into a piece that rolls along 
                      like the mid section of 'Space Truckin' (also bearing a 
                      resemblance to ELP's take on 'America' ). I only wish that 
                      last year's UK Purple tour had let them loose on something 
                      like this. 
                     
                      Echoes 
                      of The Butterfly Ball can't help but be mentioned (and I'm 
                      trying not to, honest), with between song narration provided 
                      by comedian Tony Barton as Toad, sat to the left of the 
                      stage. It falls a bit flat, unsurpisingly. (The dvd makers 
                      have thankfully placed these interludes at the end of each 
                      track, meaning that you can hit the forward button to go 
                      straight to the next song!) 
                    Both 
                      live shows had one man to thank for really jollying up proceedings: 
                      Tony Ashton. Once he arrives on stage, with cigarette, beer, 
                      and maniacal grin, every facet of Wind In The Willows suddenly 
                      meshes together into great entertainment. His song, the 
                      punchy The Wild Wood, brings out a classic Ashton 
                      performance, even including a lurch over to Eddie's grand 
                      piano for some splendid jazzy ivory tinkling. At this point 
                      I'm suddenly aware that we're only one Paice away from PAL. 
                    Another 
                      reunion of sorts is having Graham Bonnet and Don Airey present. 
                      I've always loved 79-80 era Rainbow, and it's great to see 
                      them together again. Bonnet features heavily in the show, 
                      giving it everything and trying to inject fun into the proceedings 
                      at every opportunity. His first appearance is on Good 
                      Morning To You, alongside the great Maggie Bell, both 
                      letting rip over a typically atmospheric backing. The 
                      Badger is a another great performance, with Jon 
                      Lord also getting to shine. 
                     For 
                      me the music dips on some of the slower tracks. Joe Fagin 
                      (remember the theme music from Auf Wiedersehen Pet?) and 
                      Val McKenna (who has sung on sessions for the likes of Genesis 
                      and Phil Manzanera) do their level best on I've Forgotten 
                      How To Smile, but it soon sounds uncomfortably middle 
                      of the road. The mid section sags for me, with the story 
                      muscling in a bit too much for my liking and the music entering 
                      AOR power ballad and music hall territory. That said, it's 
                      still all good fun... 
                    We're 
                      back on the rack for Can Dreams Come True, a really 
                      strong song, characteristically belted out by Graham Bonnet. 
                      What with him turning up the decibels a bit too much for 
                      the chorus, and Don Airey's strident backing, it's almost 
                      Donnington 1980 all over again! Piper At The Gates Of 
                      Dawn is the rockiest track, with Bonnet in his element 
                      and Fenwick weighing in with more great guitar work. 
                    Wayfarers 
                      All features all of the 'cast' delivering a finale that's 
                      both catchy and irritating. (Damn, it's in my head again..) 
                      After that the DVD tails off... we get the main theme Reprise, 
                      accompanied by views of a forest (so no Denny Laine as promised 
                      on the cover), and 'Love Is All' (with Bonnet taking lead) 
                      over the original cartoon promo. 
                    So, 
                      I would recommend this dvd to anyone with affection for 
                      any of the artists involved, they all perform extremely 
                      well (with the possible exception of Donovan!). The songs 
                      are quality though sometimes missing the intangible spark 
                      to make them special, but with the superb arrangements and 
                      the enthusiasm of the musicains everything sounds 
                      great and I was very happily swept along by the whole show. 
                      It certainly 
                      makes for a very satisfying, and entertaining 75 minutes 
                      of music. 
                    Review: 
                      David Browne 
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